All posts by Phil Hoffman

Mike Hoolboom reviews Phil Hoffman’s Aged (2014)

“Who has not marveled at the triumph of slow motion? At the end of every sporting event the decisive moments of the past hours float past in a dreamy montage, everything slowed to a crawl, as if it had occurred days, even years ago, part of a past that seems already out of reach, filled with bygone charms. The pages of Vimeo and YouTube have delivered us to a global tidal wave of slow motion magics, where heroines of time are caught in the full thrall of their secret erotic life, their faces filled with hand grenade smiles and arms stretch beyond the horizon with an inflated heroism. In his too familiar essay, Walter Benjamin wrote about slow motion as a way to defeat capitalism. He imagined that hidden within our everyday gestures were a cornucopia of unseen resistances, that our bodies performed a micro-politics of nay saying that the camera would at last reveal. But the digital revolution appears to have unveiled these once hidden intervals as another area of over exposure, bent beneath the first law of digital culture: that everything should be visible, bright, clear, tagged, identifiable. The surveillance state insists: there is no outside.”

Read the full article here.

link to film and reviews

DocPoint Masterclass and “Introspective” in Finland

Five Screenings at DocPoint:

I – Journeys Away

II – Picturing Home

III – Experimental Processes

IV – All Fall Down

V – To That Which Is To Come

Antti Alanen Film Diary:

on Philip Hoffman’s passing through/torn formations   read here

on Experimental Processes  read here

* Avek article in 2016 Kasikirjoitus pg 25-28 (48-51)

 

Philip Hoffman  conducted a Masterclass in Helsinki at Docpoint 2016, in accordance with 5 screenings of his work in a special “Introspective” programme

See more at Docpoint’s website for the masterclass, and the blog.

 

Café Ex: The Films of Philip Hoffman

On Thursday December 10, 2015, Philip Hoffman will attend a screening of some of his work as part of Café Ex:

Inaugurated in 1998, the eighteenth season of this ongoing visiting artist series presents artist-curated evenings of independent experimental film and video in the intimate atmosphere of Club SAW. Once again, the series features Canadian experimental cinema, with guest filmmakers presenting their work and engaging in extensive discussions with audience members for a “pay-what-you-can” admission.

More information can be found at the Canadian Film Institute’s website.

By The Time We Got To Expo: Review in the Globe and Mail

Take a look at the review Justine Smith wrote for By the Time We Got to Expo in The Globe and Mail:

“Using Expo 67 as a backdrop, the experimental By the Time We Got to Expo (directed by Eva Kolcze and Philip Hoffman) uses 8mm footage to expose the decay of physical materials and, as a result, the decay of Montreal itself. The concrete modernist architecture built during this era is rendered cracked and apocalyptic under the scratches of the damaged film.”

See the full review here.

Process Cinema Workshops in Northern Ontario and London

Philip Hoffman and Eva Kolcze will be conducting a touring process cinema workshop based on the Film Farm, one in Northern Ontario and one in London in association with the Liaison of Independent Filmmakers of Toronto.

Process Cinema explores a creative tradition in alternative filmmaking that is improvisational and interactive. Through this process-driven methodology, the screenplay as governing document is replaced by a fluid integration of writing, shooting and editing, not necessarily in that order.This way of working ‘through’ process has a comparative body of work in music, through jazz, in art, through ‘action painting’, in the performative aspects of the sketchbook or through ‘spontaneous prose’ in beat poetry.”

Information about the London workshop

Information about the workshop in Northern Ontario